Category Archives: Pratyahara

Several approaches to the eight limbs of Yoga

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When one first reads the eight limbs in Patanjali’s Yoga Sutra-s, there are many questions that arise. Are the eight limbs practiced sequentially, like rungs in a ladder, or are they practiced all together? That really depends upon your point of view and also which tradition you follow. This post assumes one has read the eight limbs. If not here is a link to review them. I will provide a few points of view from my training and personal practice on following the eight limbs.

Say like you are a sincere practitioner and want to follow the eight limbs sequentially like a staircase–not proceeding to the next limb until you have “mastered” the previous. Then you meet a formidable challenge like the Yamas. The first Yama is ahimsa (non-harming). On your way to your practice, you accidentally step on a bug, injuring it. Can you proceed to the next limb? What about telling the truth (satya), not stealing (asteya), staying sexually continent (brahmacharya), and not being greedy (aparigraha)? Then what about the Niyamas of saucha (internal and external cleanliness), santosha (contentment), tapas (ardor for practice), svadhyaya (self study), and Ishvara pranidhana (complete surrender to God)? If you had to master one limb before proceeding to the next, it would most likely take several lifetimes to qualify for Asana!

We have to keep in mind that the aim of Yoga is to still the citta. So living in observance of these ethical guidelines is highly conducive for stilling the mind. Imagine doing the exact opposite. What if you harmed others, lied, steal from others, had multiple sex partners, and were stingy and greedy. Your mind would be all over the place.

My point of view is that the first four limbs of Yoga: Yama, Niyama, Asana, Pranayama are things one can do externally to still the citta. The next two limbs: pratyahara and dharana are things one can do internally to still the citta. The last two limbs: Dhyana and Samadhi are what Yoga does to the practitioner who correctly and steadfastly practices these concepts.

The first four limbs, Yama, Niyama, Asana, and Pranayama, are called the bahiranga (the pursuit of external purity), pratyahara (detachment form the senses), and dharana (concentration) are called the antaranga (the pursuit of internal purity), dhyana (meditation) and samadhi (illumination) are called the antaratama (the pursuit of the Soul).

In the West we like “goals.” Rather than viewing the eight limbs as a goal with Samadhi being the prize, I like to view the eight limbs as a toolbox one can use to get the mind to quieten. If there are any sincere “goals” of yoga, they would be to practice daily, and not be attached to things of with the ego identifies itself (abhyasa and vairagyam).

What if you were not able to practice Asana? Your practice would be to follow the Yamas and Niyamas to create stillness in the mind. What if your mind was too busy to focus on Pranayama?  Your practice would be Asana. These are examples of slotting in and slotting out limbs like gathering tools from a toolbox to quiet the mind.

Can you practice several limbs at once? Of course! When doing a sincere pranayama practice, you are already following the Yamas and Niyamas easily. You are in supported Savasana or a seated position and are therefore practicing Asana. B.K.S. Iyengar used Asana as a focus point to amplify the other limbs, just as Gandhi used the Yamas of ahimsa and satya to liberate India from the West.

The take home message here is whenever the mind is not quiet, Patanjali says you have access to many tools to make it quiet. Then you can see your true self and all your splendorous radiance.

Have a great weekend!

Savasana: “the most difficult pose to master”

 

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Savasana, or corpse pose is the bridge between the external practice to the internal practice (bahiranga to antaranga). It is the linking pose between Asana and Pranayama (breath/vital energy control). It is one of the few asanas where one can attain Pratyahara (detachment from the senses). In short, it is arguably one of the most valuable postures in Yoga. But because of its absence of physical challenge, it becomes very difficult for the aspirant to stop the mind chatter (citta vritti) which is one of the major aims of true Yoga practice. Because of this, BKS Iyengar often referred to Savasana as “the most difficult pose to master.” Here is a brief tutorial:

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Props needed are a sticky mat, a strap, and a blanket

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Lay the sticky mat flat

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And use the strap as an intersecting line. This will be a guide for the spine.

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Sit on the sticky mat with knees bent and both feet on the strap.

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Symmetrically roll the spine down the strap measuring vertabrae by vertebrae.

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When the head touches the ground see that the chin does not project back like seen in the photo. If your neck does this you need a folded blanket…

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You can now see the neck is soft here.

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Using a chopstick, the measurement should be that the forehead should be well above the chin so the crease in the neck deepens.

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Now grasp the sides of the sticky mat and push the hands towards the feet. This lifts the chest.

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Keeping the feet along the midline…

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Slide one foot out at a time

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And let both feet fall to the side.

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Now release the arms

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And take them to a 60 degree angle away from the torso

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From the base of the arms, roll them externally pressing the index finger knuckle to the floor to spread the sternal area

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Then gradually let go of all effort, closing the eyes

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To create softness in the face, and block out light, you can gently lay the strap over the eyes.

To come out bend the knees to the chest and roll to the right, propping yourself back to a seated position.

In Light On Pranayama by BKS Iyengar, he dedicates 22 pages to teaching this pose (more than any other Asana). In subsequent years he had also taught many more refinements. So my demonstration is just the tip of the iceberg.

My playlist

my playlist

Yes, there are no songs. No Karsh Kale, no Moby, no Krishna Das. I never play music in my classes because that would detract from the teachings and concentration needed.

On a deeper level, every asana is a song, a story, a melody that can only be heard with the ears of each cell in the body. This is my playlist for tonight’s forward bending yoga class.

It may not be popular with the fitness crowd, but that is not who I want as my students. I want students who come to class to learn Yoga. I want to teach the asanas deeply and sincerely. My instructions are my lyrics, and my sequence is the playlist. The student’s inner voice is the true music.

In Savasana, Pratyahara is the goal. The non hearing of the outside world is a boon to the consciousness. Unfettered by music.

Have a wonderful weekend everyone!

Pratyahara, the forgotten limb of Yoga

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Pratyahara, detachment from the senses, is the necessary condition for the inner work of Yoga. I reflect often on the fifth limb of Yoga and even try to cultivate it whenever possible. However, I feel this limb takes a beating in the West. Through advertising, music, and technological gadgetry, Western culture is fixated on maxing out our senses instead of withdrawing from them. This is even true for Yoga classes of modern times.

I am in no position to comment on other practices as I am still quite a novice of my own. That being said, there is a mass fixation on the “playlist” for yoga teachers in modern yoga classes. It is even taught in some teacher trainings how to compose a mix of songs to motivate students. I have never read in the Sutras that in order for one to teach, one needs to be a DJ.

I have to admit that in the beginning, music is fun with Asana. I have had many home sessions listening to John Coltrane and found myself more deeply absorbed in certain parts of A Love Supreme than I would have if I were casually listening to it in my car. And that’s exactly the problem with music and Asana: you are doing music, not Yoga.

Pratyahara is detachment from the senses (the repeating of the phrase here is deliberate). This is what separates Yoga from Crossfit. This is what makes Yoga the internal practice that used to attract people. Now people are attracted to the practice because of the physical benefits. In fact so many people are attracted to Yoga because of the physical benefits, it’s hard to convince them that there are other parts. Even Pranayama (without Asana) would be barely tolerable at the corner Lululemon free Sunday class. A teacher who taught that would have students walking out in droves and wouldn’t be invited back to teach the next week to make room for the Power Turbo X2000-Yoga Workfit™ guy.

The world is changing rapidly. We are bombarded with horrendous images on our TV and computer screens from events around the world. We are bombarded with stimuli on our cell phones. In traffic, we are bombarded with stimuli from our car stereo and from billboards. At the traffic light people text. While driving people still text. Then we get to Yoga class. Playlist.

When I was in teacher training, the trainees all had an interesting discussion at lunch about what we say to our students while they are in Savasana. Some of the teachers said they talked about the breath. Some talked about linking the practice to the mind. All are acceptable. I got laughed out of the discussion when I said I don’t say a word. I make the adjustments that need to be made, and then shut my trap for ten minutes. As unpopular as it may seem, I am allowing my students ten minutes to at least get a glimpse of Pratyahara.

Yoga is subversive to Western culture. It is not about feeding the consciousness more noise. It is about learning to be deeply with oneself for extended periods of time until the practitioner connects with the true self. I wrote about a study that shows people would rather receive an electric shock than to be alone for 15 minutes with no cellphone or magazines. By blasting people with music in Yoga class, we are just reinforcing this low grade ADHD that permeates our culture.

Music has it’s place, don’t get me wrong. It is quite sacred for me. I collect vinyl records and spent a good mint on a new Benz cartridge. I often spend hours in the record store flipping through LPs like I did when I was a kid. Now I just keep music sacred and separate from my other sacred activity: Yoga.