BKS Iyengar was often quoted that he did not name his practice “Iyengar Yoga,” but that was a term his followers used to differentiate his style from others. He said at at a Guru Poornima lecture that there are many “write ups” about his teachings and that they are focused on his “physical alignment.” Guruji said that those writers did not have the discernment to tell that physical alignment is only part of the story. They were not able to tell that he was also teaching “prana-shakti” of the muscle movement which leads toward deeper aspects of Yoga. “Can you not do Dhyana (meditation) in poses other than sitting?” he retorically asked.
As a practitioner for a few years in Iyengar’s method, I can appreciate his frustration. Even more nowadays, this style is even described as “less physcial” than others like corporate driven vinyasa. And in silly blurb descriptions, like the kind you find on Yoga International, this style is just cast off as “the one that uses props and focuses on alignment.”
Very little of what passes as “yoga” now in the marketplace gives any semblance of value to the inner experience. Most now blast music as part of their “yoga workout” session, and skip Savasana altogether. In addition, very few people actually have a home practice. And if they do, they are relying on sources like Yogaglo or other flash-in-the-pan flexible, young and lithe Youtube celebrities.
In essence, Yoga in the West is still in grade school. That is why so many are dazzled by Instagram, and not so much dazzled by Sutra-s that tell us that we are divinity in ourselves and that all the rest is a cosmic charade. I read somewhere that your “yoga age” starts when you first go to practice. With this definition, many are still in elementary school. Even more shocking, many are becoming teachers with this level of experience in the current commercialized climate.
If you read a book like The Alpha and Omega of Utthita Trikonasana, you are well aware that classroom instruction is just the first step. Just like going to grade school and learning the alphabet is the first step toward reading The Great Works. When one reads literature, one does not have to do so in a lecture, but has to do independently. Just like in asana practice, we have to use what we learned in class to further our own practice. As practitioners in this style, we have to go beyond the physical. We have to monitor which asana-s produce certain emotional states. Which sequences give us peace when we face turmoil. Which pranayamas help us move away from the outside world and into our inner self.
Iyengar’s yoga can be deceiving to the naked eye. It appears very physical. Showing the book Light On Yoga to friends and family is often met with jaw drops at the postures toward the end of the book. That is the maya. Iyengar is using those very advanced postures to gain access to the inner self, the substance that cannot be photographed. Most cannot get beyond the physical and cannot comprehend what is not seen. But as all ardhent practitioners in this style know, Iyengar’s yoga touches all the limbs and touches all the Kosha-s.